The whole register
Twenty-four entries, each one a made thing and the place that makes it that way. The four columns are the same on every page of this site and are read in the same order.
Loom & Dye
Cloth, and the colour put into it. · 5 entries| No. | Object | Material | Technique | Place |
|---|---|---|---|---|
| 001 | The backstrap loom Backstrap loom |
Wooden beams, cotton or camelid warp | Body tension, shed rod and heddle | Otavalo, Ecuador |
| 002 | Cochineal Cochineal dyestuff |
Scale insects farmed on nopal cactus | Brushed off, dried, ground, mordanted | Oaxaca, Mexico |
| 003 | Indigo and the vat Indigo vat |
Indigofera leaf, alkali, fermentation | Reduced in the vat, oxidised in the air | Central America and the Andes |
| 004 | Reverse appliqué Mola panel |
Layered cotton cloth | Cut down through the stack, edges turned in | Guna Yala, Panama |
| 005 | What a pattern tells you Woven motif |
Dyed warp and supplementary weft | Pickup brocade, counted in threads | Quetzaltenango, Guatemala |
Clay & Metal
Fired earth and worked metal. · 4 entries| No. | Object | Material | Technique | Place |
|---|---|---|---|---|
| 006 | Barro negro Black clay vessel |
Local clay, quartz burnishing stone | Burnished leather-hard, fired in reduction | Oaxaca, Mexico |
| 007 | The open firing Open-fired pot |
Unglazed earthenware, wood and dung fuel | Stacked, covered and fired without a kiln | Across the region |
| 008 | Silver and the bench Worked silver |
Sheet and drawn silver | Raised, chased and soldered at the bench | Taxco, Mexico |
| 009 | Filigree Filigree ornament |
Silver drawn down to wire | Twisted, coiled and soldered without a ground | Across the region |
Field & Kitchen
The crops and what is built on them. · 5 entries| No. | Object | Material | Technique | Place |
|---|---|---|---|---|
| 010 | Nixtamal Nixtamalised maize |
Dry maize, lime or wood ash, water | Alkaline cooking and steeping, then grinding | Mesoamerica |
| 011 | The metate Metate and mano |
Vesicular basalt | Pecked from one block, re-roughened as it wears | Mesoamerica |
| 012 | Cacao before chocolate Cacao paste |
Fermented and dried cacao beans | Roasted, hulled, ground, whisked to a foam | Mesoamerica |
| 013 | The potato, in plural Native potato varieties |
Andean tubers | Kept apart by field; freeze-dried into chuño | Cusco, Peru |
| 014 | The earth oven Earth oven |
Fire-heated stones, earth, green leaves | Covered pit, several hours, no direct flame | Across the region |
Mask & Procession
Objects made to be carried and worn. · 3 entries| No. | Object | Material | Technique | Place |
|---|---|---|---|---|
| 015 | The carved mask Carved mask |
A single block of wood, paint | Cut deep so the features read in movement | Michoacán, Mexico |
| 016 | What is carried Processional frame |
Timber, cordage, cloth | Built to be shouldered and kept upright | Across the region |
| 017 | Papier-mâché and fire Cartonía figure |
Paper, paste, a cane armature | Built in quantity, made to be destroyed | Across the region |
Rhythm
Instruments, and what they are made of. · 3 entries| No. | Object | Material | Technique | Place |
|---|---|---|---|---|
| 018 | The box that became a drum Cajón |
Thin resonant face on a box body | Struck by hand at the face, played sitting on it | Lima, Peru |
| 019 | Gourd and scraper Güiro |
Dried calabash gourd and a scraper | Parallel notches rasped across the shell | The Caribbean basin |
| 020 | Strings in miniature Small high-tuned lute |
Wooden body, strings in courses | Tuned above the guitar rather than against it | The Andes |
Page & Stone
The printed and the built record. · 4 entries| No. | Object | Material | Technique | Place |
|---|---|---|---|---|
| 021 | The first presses Printed sheet |
Rag paper and cast type | Hand press, bilingual composition | Mexico City |
| 022 | The courtyard plan Courtyard house |
Masonry, timber, glazed tile | Rooms set around one open square | Across the region |
| 023 | Tile as cladding Tiled facade |
Tin-glazed earthenware | Laid as weatherproofing, not ornament | Puebla, Mexico |
| 024 | Concrete and the sun Brise-soleil |
Reinforced concrete | Shade cast into the structure of the facade | Brasília, Brazil |